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Yusen Hu


Works
  1. Side Table
  2. Jean Cap
  3. Decks Chair
  4. CYLINDERS
  5. Hang for Fun lamp
  6. Emotion Breaker stool
  7. Reverse Grind table


Blog
  1. Ceramic ashtray
  2. Shoes Rack
  3. Jean Wallet
  4. The Emotional Utilitarian

  5. Design Museum

  6. Christo early works Exhibition

  7. Numeric Skate Demo

  8. The British Museum

  9. Pitt rivers Museum

  10. Flax craft central
  11. Kate lecture
  12. LCC stiching tutorial
  13. BOX by Max Lamb

  14. Sheila Hicks: infinite potential

  15. Instagram viewing 1
  16. V&A Museum
  17. CCW MA graduation exhibition
  18. Scarf knitting
  19. Natural History Museum
  20. Tate Morden Museum
  21. The British Museum 2
  22. The Egyptian Museum
  23. Banksy Exhibition
  24. Tea table
  25. Cap making
  26. Unit 1 exhibition
  27. Remake shoes
  28. Antony Gormley Exhibition
  29. Tate Britain
  30. Newspaper Ceramic
  31. Aromatherapy tray
  32. Kettle’s Yard
  33. Paper samples for unit 2
  34. The Fitzwilliam Museum
  35. How to analyze the case
  36. Woodcuts
  37. Collect 2024
  38. Ceramic extrusion
  39. Tony’s cardboard space
  40. Tony’s tour London
  41. Ceramic London 2024
  42. Wheel-throw learning
  43. CSM shows 2024
  44. Tony’s tour East London
  45. Portland Carving tour
  46. FUMI Casa al mare
  47. Silicone Molding in summer break
  48. London Transportation Museum
  49. Dongyang Chinese furniture market
  50. Prototype redoing for previous work
  51. Jingdezhen visiting
  52. London Design Festival 2024
  53. Hang for Fun lamp
  54. Emotion Breaker stool
  55. Reverse Grind table


Yusen
Info

Previous works by Yusen have delved deeply into themes of functionality, sustainability, and humanization. Yusen’s practice highlights a curiosity about cultural influences and their potential to inform modern design approaches, blending cultural resonance with innovative environmental solutions.


Mark
54. Emotion Breaker stool


This work was inspired by Sedia E Sgabello. In the previous practice, I used glue to form a beautiful texture, but I was not very satisfied with it because it was not very strong. Secondly, in sustainable design, the less adhesive, the better. So I wanted to use threaded bars to connect and see what kind of furniture the skateboards could form. I originally wanted to make a small table next to the chair, but I found that the width might not be enough, so I changed to a stool. When I made the first small model, I found that it was not stable and could easily fall forward or backward. So in order to increase stability, I made the base larger. This also made it more interesting visually. After testing the feasibility of the connection, I did not start to make this work immediately because I felt that it lacked a certain context.
 

    



Then I got the idea for this chair. The inspiration came from a broken board. Broken boards are often caused by skaters being very happy when they do a great trick or being very angry when they can't do a trick they have been trying for a long time. I find that this is essentially an emotional release, and a broken board gives people this strong feeling, so I applied it to the bottom of the stool and let people see and feel it intuitively.






I also built a model to see how many pieces of skateboard were needed to make a stool. At first I wanted to make a side table, but I found that I had to cut it at a large angle to reach the length of the table, and the broken surface would not look harmonious.





After tearing off the sandpaper, all that's left is cutting and drilling. Before cutting, I sorted the broken skateboards into left and right, because the sizes of the broken skateboards vary, and some may have more damage on the left side, which will affect the later drilling. When drilling, I changed the holes of the skateboard from the vertical in the original rendering to the horizontal, mainly because this can compress the bent skateboard. And the hole position is on the top, because this will make the seat surface flatter.
















It is also very important to mark the hole position of the lower part. As shown in the sketching, adjust the up, down, left, and right parts to make the right proportion and the two legs on the same plane.







When I hammer the board into bars. I found that I impossibly take them out because the friction is too big. The holes have human inaccuracy which causes the deformation of bars. When I hammer more and more deck pieces, the bars were forced to be parallel. if I drill the holes bigger, it might be easy to take out but every time I assemble them, they cannot be a flat plane. I made a mistake, that is I should hammer every pieces tight to each other unless the gaps would exist forever.



Assemble test is to make sure that the feet fit well.





I used the electrical planer to make the surface flat. When planning on this surface, I should go along with the texture first to make the front and the behind flat and then with a small angle obliquely to make the right and the left flat. I cannot plane it with a big angle because the board would probably break. Additionally, when doing the first step, I should remove the highest part first.



The sharp corners of the chair seat were damaged and very sharp, which could easily cause injury to the user. So, I polished this part into a rounded corner.


Some skateboards need to scrape off the carbon fiber or glass fiber layer on the surface first. Then use 80-320 grit sandpaper to polish. I used sheet orbital sander and rotary tool for polishing.


I tried two different vanishes. The Osmo Polyx-oil dries slower and with more bubbles compared to melamine lacquer. The mid one is Osmo Polyx-oil and the right one is  melamine lacquer.



The technician told me I should cover the first vanish, fine sand it and cover the second one and repeat for 3-5 times. But during the process, when I covered it with the 3rd layer, there were still bubbles and I found that after sanding, the vanish finally,. Then I started to think if it was the problem of application. I tried softer and more dense brush and sponge roller. I found that finer brush does cause less bubbles and sponge roller too. Additionally, sponge roller creates a matter effect like what I expected. But the bad quality sponge roller would leave it self's particles. So finally, I just used the finer brush to do the job.
















Before and after assembling, I need to grind the board edges to keep them on same plane and adjust the 4 feet on plane.


I chose the polx-oil vanish for colorful layers, because it is matter. I want to have some contrast with the side.





I tried using a Cylindrical Connector Nut, but I found that it was not easy to tighten and left ugly scratches on the surface if I used a vise. There is no special accessory for the head cap, so I need to make it myself, which is very time-consuming.
So, I chose the regular Hexagonal Connector Nut and Cap, which are very easy to buy.