44. Tony’s tour East London
26/06/2024
Judy Chicago












Coffee shop designed by Zaha Hadid


Japan House


Enzo Mari



Affordability was a very important objective for Mari. He always aimed at creating design objects that were intuitive, elegant, functional, low cost and that would make a personal connection with their users. During his design process, Mari would become intimately involved with the artisans and manufacturers to ensure that his objectives of functionality, quality, and cost of his designs were met.
In 1974, Mari and Simon (Dino) Gavina collaborated in the project Metamobile, which focused on producing a small number of tables, chairs and beds using the Autoprogettazione designs at Simon Gavina’s plant in Calcinelli di Fano. These Autoprogettazione designs made through the Metamobile project were also made using simple pine wood boards, but were to be assembled with screws, washers and nuts–as opposed to using nails as was prescribed in the do-it-your-self instructions published in the Autoprogettazionebook.https://www.casatigallery.com/designers/enzo-mari/
This reminds me of Pallet Furniture serie designed by studiomama. The simplity, functional, affordable really attracts me. It help me rethink of why studiomama’s work is successful. Because they choose the easy to capture and sometimes useless after transportation material to reuse. Are there any materials that I can use for my work? I noticed there is so much construction rubbish near my home and school.












In 1958, Enzo Mari designed for Danese the celebrated Putrella trays, produced by using an industrial semi-finished product as raw material to be modified by skilled craftsmanship, through the welds were made by workers who had nothing to do with traditional artisan crafts. Other important Enzo Mari product designs for Danese were the Arran trays (1960), Formosa wall calendar (1963), Trinidad, Atoll fruit bowls (1965), melamine Java container (1965 and 1968), Pago-Pago reversible vase (1969), Tongareva bowl (1969), carafes (1969), Salt shaker and pepper grinders (1972), and Paro and Ovio glasses (1983).
The industrial beauty is also an important part. It shows the possibility of normal things with unexpected functions. I am really interested in this work because I think my topic is quite similar to this feeling.



Other designers’ works echo to Enzo Mari
Jaclyn Pappalardo



Andu Masebo

Studiomama

Other classical works
Wiggle Chair by Frank Gehry





Carpenters Workshop Gallery
Charles Trevelyan










For the light, I do appreciate he can finish the detail so well like he even do the light bulb shell with the same material.
I like combination of the hard shape bronze and soft shape wood. Although these two materials are stiff but wood is visually soft.From his interview, I also learnt that the gallery not only has the function of displaying your work but also many resources of manufacturing or other thinkgs. So choosing a good gallery is a key thing.

Ingrid Donat



Michèle Lamy

